726: Push the Red Button

Happy Sonday!

The goal failed. Couldn't do a review during the week. I'm hoping to make my way through Your Servant is Listening and No Chemistry Whatsoever this week. Happy Labor Day! No new Candid KOnversations updates, so we'll be on our way.

Hi, Will Ryan!

THE ODYSSEY TIMES (Facts, notes, and quotes about Odyssey from this ep):
- A master program that controls anything at Whit's End - that could possibly destroy civilization as we know it? Oh yeah, nothing could go wrong.
- Matthew Parker assisting a master program that controls everything at Whit's End? It's officially official - nothing, nothing, could go wrong.
- Penny is on a no-carb diet in this world.
- We have a different voice for Michaelangelo here than in the live show.
- Is it just me, or does Townsend Coleman's voice for Lord Gargantuan Foulspleen remind the listener a little bit of Dr. Doofenschmirtz from Phineas and Ferb?
- Silly Lord Gangantuan Foulspleen. If you listened to Odyssey, you'd know that the Imagination Station is not a time machine.
- Eugene and Whit, do you really NOT REMEMBER that the Imagination Station is not a time machine? Matthew, sorry, buddy, you still gotta head to French.
- Nice reference to the Slavs in ancient Russia!
- I wonder what people's rationale for thinking this episode was in total reality was.
- When I saw the extended version of the live show, I thought Odyssey was about to head into a post-apocalyptic Album 57. 
- Penny paints a beautiful masterpiece in minutes. Look out, Picasso.
- "Maximum defilation" - new LGF term
- A big kick to the machine. Ladies and gentlemen, Matthew Parker, technical genius.
- Nuclear bomb go boom.
- "What's weird is to use such an obvious cliche to end a story." - Penny
- Philippians 4:8-9

REVIEW:
I think opinions can soften over time. That was certainly the case for this episode. When I first heard it, I had a severe dislike to this episode (not the live show version) for its cheesiness, unrealisticness, and sheer what-the-heck-is-happening-ness. But after a relisten, a couple elements have grown on me. 

After getting upset over the use of the "just kidding, guys, it was all a dream," on earlier listens, I caught Penny's self-aware tongue-in-cheek comment to the audience (see the Odyssey Times for this ep). I just wish the rest of this episode had that making-fun-of-itself tone as it did during the live show. The live show wasn't a masterclass in writing, but the extended run time allowed us to see just how impressive the acting, impressions, and sound design could be. Running jokes, like Wooton/Penny interaction and "fourth wall" Jason cracks, made the experience a memorable, hilarious one. The fact that Push the Red Button radio edition takes itself a little more seriously is not necessarily a good thing.

Another difference between the live show and radio edit is that Michaelangelo is not as intriguing as Chuck Bolte. Sure, he's a better-trained Italian accent, but...yawn. He was a completely forgettable character here, while he was completely unforgettable in Texas because everyone's always wanted to hear an Italian George Barclay. Stunt casting worked there - and the regular casting here felt dry. 

I now can understand why Red Button got that Sound Design Avery - all very impressive work by Rob Jorgensen. The music is ridiculously overdramatic fun by John Campbell. I think the main reason why I disliked this episode is because of the writing. As Ben Warren discussed in his review, other examples of exaggeration in Odyssey had proper framing to explain the out-there-ness of it all. My hyperactive imagination, upon seeing the live show for the first time, worried that a nuclear bomb had actually detonated the entire town of Odyssey and the surrounding Campbell County and we'd spend Album 57 living Winter's Bone - Our Daily Bread style, with the Barclays scrounging for squirrel meat in parks to escape from the mass hysteria from the first nuclear explosion in the United States.

I guess I'm simply tired of ridiculousness. It's fun every once in a while, but to trot it out a lot more recently in this new era takes away the positive elements it can bring. Mindless chaos can be fun, but can't entertainment with truth, goodness, and beauty be fun and good for you? The extremity of the ep led to a story that didn't get too invested in its themes. What really is truth, goodness, and beauty? For that, I'd have to turn to other AIO eps.

Push the Red Button is a hyperactive bombastic ear fest with great sound design and score. The actors all seem like they're having a lot of fun. However, it's the writing that drags everything down. The tone's off, the characters are all over the place, the moral is difficult to discern at face value, and the plot is sadly too out there to come back to orbit. I give this episode a 70/100, or a

C-

That brings us to the end of Album 56! Nine months after it aired. And on to A Call to Something More...

FOR MORE INFORMATION:

Catch up on Josh's summer by reading his blog from the past several months here
Read about our Live Show experience here

Buy this episode and 11 others on Album 56: The Grand Design via CBD
Talk about this episode and a bunch of other Odyssey stuff over at Campbell County

724-725: Home Again, Part 1 And 2

Well, it's been quiteeeee a while, you guys. It's been a long, busy summer - and I'm just realizing that our last review was on April 6. That's about four and a half months since the last review! Ohmeohmyoh. 

Anyways, it's back to work at home and school and in Odyssey. Album 57 has begun! I already have thoughts on Your Servant is Listening, and I would have thoughts on No Chemistry Whatsoever if there was any episode up online whatsoever. (UPDATE: It's on AIO Wiki!) But that's cool. The goal (and we have a lot of failed goals) is to do Push the Red Button this week and Listening this weekend. Hopefully, we'll catch up from there. But then...there's also Candid KOnversations. The season premiere for Candid KOnversations is...Saturday, November 2! I know it's a while, but we want all y'all to focus with us on Album 57 while the season progresses! And it looks like we'll have a lot of interesting Call to Something More stuff to talk about. Check out the Candid KOnversations page for more information.

With our busy schedules (practicing and learning instruments, homework, new clubs, old clubs, new projects, old projects), I think I've managed to figure out some kind of schedule that puts up posts here at least semi-regularly. The goal (anotherrrrr one) is to post at least once a week. Since I have super easy classes this semester, hopefully, we can make that happen! And now, to our review.

THE ODYSSEY TIMES (Facts, notes, and quotes about Odyssey from these eps):

- Don't go, Jack and Joanne! Eugene, quick, sabotage your inventory system so THEY'LL NEVER LEAVE!

- Thank you, Joanne, for your book endowments to the Whit's End Library!

- I'm still not fully comfortable with Whit's new chuckle.

- Why is Whit so surprised that Jason drove all the way back from Washington? Joanne and Connie have done it before (Album 41: In Hot Pursuit).

- Oh, Connie. Connie, Connie, Connie.

- "Prayer means you're dealing with something hard!" Connie, I bet you prayed for that new red Prelude - and I wouldn't call that something hard.

- Nice reference to Something Old, Something New for continuity.

- Why did Connie miss Jason so much? Wink, wink.

- Nice reference to The Green Ring Conspiracy for continuity.

- Wooton outsmarted Whit? Never thought I'd ever write that last sentence.

- They're building another cabin on Trickle Lake.

- "The spiritual disciplines are called disciplines for a reason - they require work. Times of solitude aren't always restful." - Whit

- Jason...really likes coffee.

- Jansen's Jewelers - is that a reference to former EP Al Janssen?

- "It'll make you thirstier so you can appreciate the water more." - the walk from picnic to #3

- "Yes, it's that hint of naïveté in the voice. He's not bad." - Rudolph on Eugene

- Connie sounds abnormally happy to see Jason.

- When was the last time we heard Jason talk to Wooton? 

- "You know where I live?" "Wooton delivers the mail!" "Ohhh...kay..." - Jason and Penny

- Kron's Jewelers is down the street.

- Do the criminals really have to reveal their plans right in front of Eugene?

- Katrina sends really long texts.

- The Judo flip, the Vulcan neck pinch...we've got some intense martial arts action happening in Odyssey.

- "What I want is time to be with God along with time to be with family and friends." - Jason

REVIEW:

The fact that it won three Avery Awards shows the love for Home Again from the fans. It definitely brings back a sense of nostalgia, with previous mainstays like Jason, Jack, and Joanne back on the radio once again. But is that all the episode was? Did it only win for the nostalgia? 

Two elements stood out to me that prevented it from getting my vote for Best Episode. The score for this episode felt very disjointed in certain places, as if they'd just picked up a couple of old John Campbell selections to fit. They didn't all fit well. The end cue was a typical Campbell chord-tingling, heart-racing, emotion-gathering closer, but the rest of the score didn't add much to the story. Eugene's jewel thief storyline also felt disjointed in a similar vein. As Campbell's score felt out of place, the cartoonishness of the whole Rudolph thing felt very disjointed from the dramedy-ish main plot. The "let's capture the criminals" scene near the end with Jason and Whit confronting the thieves was laughable and very unreal. That kind of cheesy capture has worked in previous episodes, but they worked because the entire tone of the episode was in that light-hearted realm. This episode did not need that tone at all, and it added a little bit of a bitter aftertaste (afterhear?) for me after listening.

Courtesy AIO Wiki

But let's look at the positives. I loved hearing new dynamics that have never been heard on the show before. I AIO wikied it and found that this was the first time that Wooton and Jason have ever been heard together! I also liked the comedic interactions between Joanne and Eugene. Normally, Eugene went to go talk to the Allens for perspective from both Allens. I thought the chemistry between Will Ryan and Janet Waldo was fantastic - it felt raw and real and hilarious. Townsend's monologue as Jason toward the end of the first part was also incredible. It gave us an inner look at Jason's thought process, especially the settling down after a lifetime of spy work part. Coleman managed to inflict the emotions of trying to find peace while managing to add comedy with the whole coffee thing. The sound design was also spot-on. It was pretty subtle, but that's often what makes the design great. 

I was also proud to continue to see Connie, Penny, and Jason grow as characters. If you've read some of my previous posts, you'd know I was upset that they seemed to grow stagnant from Albums 51 - 54. Connie's been learning about letting go of regrets and making assumptions since Something Old, and it's really interesting to learn and grow along with her. Penny has been making some steady progress, and although her journey can be a little annoying at times (repeating the same process as Childish Things with Happy Hunting), her growth is growing on me, so to speak. Jason's vulnerabilities are beginning to be more fully explored again, which is a great move for the show, from the end of The Labyrinth to now. That's why it was so saddening to see him once again resort to the action hero archetype at the end. Thankfully, his new job heading J&J Antiques should bring in plenty of new story for him. Oh, and the thing with Connie and Jason? That deserves its own article.

Home Again is not my most favorite episode of Album 56. The writing wasn't completely airtight and was too disjointed in trying to craft its theme into all of its plot threads & stuffing in old John Campbell cues to hobble together a score. But for all of its disjointedness, it makes up for it in characterizations, acting performances, sound design, and new dynamics. The very presence of Jack (so good to hear you, Alan Young!) boosts this up a couple more points. I give this episode a 92/100, or a

A-

Post your comments below or email us at jandakocompany@yahoo.com!

FOR MORE INFORMATION:

Catch up on Josh's summer by reading his blog from the past several months here

Buy this episode and 11 others on Album 56: The Grand Design via CBD
Talk about this episode and a bunch of other Odyssey stuff over at Campbell County

The Grand Design Avery Awards: Predictions & Snubs

Hey, hey, hey, happy Oscar season, y'all! And in the heat of the award season, the night before the Golden Globes, lies my predictions and sad reflections on the snubs for the 6th Biannual Avery Awards, recorded live from Colorado Springs, CO! Unfortunately, this is finals week, however, our new release date for the pilot is Tuesday, January 22. Stay tuned! Oh, and our Happy Hunting review will follow later in the week. As many, many prognosticators try to figure out the Oscar race, I take on the work carried out so wonderfully by Ben Warren four albums ago for Album 52. I was inspired by all the Oscar guessing game sites but looked back at Ben's to see what I could learn from him as well. By the way, if you haven't checked out his always professional, always entertaining, always thought-provoking blog, The Changing Times, check it out as soon as you're done with this post. And now...zee categories...

Best Actress
Chris Anthony as Lady Deluxe Haversham in "Push the Red Button"
Georgia Dolenz as Rhoda in "The Perfect Church"
Katie Leigh as Connie in "Home Again"
Christina Pucelli as Emily Jones in "Great Expectations"
Kimmy Robertson as Penny Wise in "Happy Hunting"

Should/Will Win: When looking at the nominees in this category, I connected Katie Leigh and Christina Pucelli's performances very closely. They both portrayed female characters unsure about their future; Emily about their future career and Connie about Jason's future and her future connections with Whit and Eugene. Emily continues to deepen and develop as a character, but I feel like the emotional weight continues to fall behind Katie Leigh, who has had 25 years to develop Connie. Similarly to the Oscars, it's often difficult to compare dramatic and comedic performances (unlike the Golden Globes), but we are forced to through Chris (who has a delightfully over the top performance) and Kimmy (Penny's mishaps). While I really enjoyed Perfect Church, I thought Georgia Dolenz's performance as Rhoda was good, but not great unlike some of the other nominees. Lady DH was a little too over-the-top for me and Penny is still lacking mature emotional growth, so my Should Win/Will Win falls to Katie Leigh for Connie! Again.

Snubbed: Carolyn Hennesy stole every scene she was in in "Perfect Church" taking on the role of Saphira after  similar biblical roles and Mama Shepard in her past AIO career. Disappointed, but definitely not surprised.

Best Sound Design
All episodes nominated

Should/Will Win: Josh is undergoing relistens to Album 56, so hold your horses. However, he really enjoyed sound design for "Perfect Church," done by GAP Digital. 

Snubbed: Uh, that invisible episode on Disc 5 definitely should've gotten nominated. 

Best Actor
Zach Callison as Matthew Parker in "The Perfect Church"
Jim Custer as Young Whit in "Great Expectations"
Townsend Coleman as Lord Gargantuan Foulspleen in "Push the Red Button"
Dan Hagen as Drill Sergeant Combs in "The Bible Network"
Whit Hertford as Jay Smouse in "Groundhog Jay"

Should/Will Win: The nicest surprise in this category is that Dan Hagen was recognized for all of his great work in "The Bible Network." He played multiple roles, but the drill sergeant was the funniest and had tons of memorable lines. Looking back, there were a lot of great male performances this year. Jay continues to be a fantastic antihero that reflects many moral struggles people go through. Matthew articulated our thoughts and feelings in The IS. And Jim Custer plasters in a very warm quality to his portrayal of Whit, and his ability to sound older as Whit did was incredible. Jim Custer has my vote for "Should Win," (Dan Hagen, don't worry, you're right behind) but I'm predicting that Whit Hertford will take home his second Avery in two years, due in large part to Jay's popularity, and I'm fine with that as well.

Snubbed: JIM CUMMINGS. Come on, his Stephen was one of the best Biblical reenactments I have ever seen. The retelling and the acting were top-notch, and I'm incredibly disappointed he did not get a nod. Can he get a honorary Avery for being Jim Cummings? Heck, why we're at it, let's give Phil Lollar a honorary Avery for "Best Being Back on Odyssey Moment." I would've also liked to see Townsend nominated for "Home Again," but a nod is a nod is a nod. Or something like that.

Best Script
All episodes nominated

Should/Will Win: If you've been reading this blog, you already know that my Should Win is..."The Perfect Church." As I said in my review, "'The Perfect Church' pulls something off masterfully; it manages to take Scripture (Acts 1:8-8:3) and create a narrative that tells the story and yet makes you wonder how McCusker/Younger are going to tell it." Sadly, I don't believe that enough voters will take notice and the award will probably fall to "Home Again" because Jason and Joanne showed up or "Groundhog Jay" because Jay was in it and had funny things to say. However, I must admit that if "Perfect Church" wasn't in the album, my vote would've gone to "Jay."

Best Scene
Barrett finally realizes the consequences of not tithing in "For Three Dollars More"
Bible Boot Camp in "The Bible Network"
Dale Jacobs learns the whole story from Kenny Rutherford in "The Lost Riddle"
Connie, Wooton, and Penny reunite with Jason in "Home Again"
Lord Gargantuan Foulspleen destroys the Sistine Chapel in "Push the Red Button" 

Should/Will Win: Of these particular scenes nominated, the only scene that stuck out to me was Bible Boot Camp. It was the funniest, but also had the best lesson. Jacobs/Rutherford sounded familiar (Buried Sin, Album 32: Hidden Treasures), the reunion scene wasn't as impactful since we'd already heard a lot of Jason and it didn't happen till the middle of Part 2, and I sadly don't remember the Barrett/LGF scenes. I'm thinking voters will feel the same way as me, but don't count out the Jason Reunion scene; pure Jason nostalgia could carry that scene to a victory. 

Snubbed: I'm getting tired of repeating my praise for "The Perfect Church," so here's an excerpt from my review: "The most powerful scene was when Jim Cummings as Stehen testified to the high court with his defense. The fact that it was taken literally from the Bible, along with Cumming's commanding performance, made me begin to tear up. Now, I don't cry very often at media, unless some element of the form moves me (See: Clara). His acting is powerful, intense, and speaks to us today."

Best Overall Episode
All episodes nominated

Should/Will Win: And once again, another excerpt: "['The Perfect Church'] speaks to us today. The church today is not perfect as well. The episode shows us how God uses all of us with our flaws for his purpose. We have our flaws, and we have our disagreements, and yet, God still calls us to fellowship, worship, and preach together. This can be hard, as I know well, but it's an important lesson for us to learn today. The whole episode feels very human, as often we think of the people of the Bible as superheroes, but God uses all kinds of people for His plan, from prostitutes to corrupt tax collectors to murderers (Saul!). The theme is beautiful, with wonderful harmonies, and a score that captures the episode completely. Paul McCusker and Marshal Younger have crafted an episode that deserves to be up there with the best of the best in Odyssey. The story is engaging, well-told, fresh, moving, and relevant; with powerful performances, dialogue, and sound." My Will Win falls to "Home Again," though "Groundhog Jay" could always be the dark horse in this race.

Let me know what you guys thought of this season's performances! More Candid KOnversations, Album 56 reviews, and Album 57 discussion to follow in the weeks and months ahead. 

LINKS:
Read all of our Album 56 reviews
Buy Album 56 on CBD
Vote for The Grand Design Avery Awards at the Whit's End Blog

The Deep End Avery Award Results

This year's Avery Award event was one of the funniest, if not the funniest, podcasts in AIO podcast history; perfectly parodying the online fan reaction from the latest news from Connie and Mitch. Click here to hear the event for yourself! And now...on to my reactions (And by my, meaning Josh. Ally's at CBM Camp this week!)


Best Actor
Jon Curry as Alvin York in Sergeant York
Townsend Coleman as Jason Whittaker in The Labyrinth
Phil Lollar as Dale Jacobs in The Labyrinth
Whit Hertford as Jay Smouse in Mistaken for Good
Will Ryan as Eugene Meltsner in Child's Play


My Reaction: Jason Whittaker is a very popular character, so it was no surprise to me that he won. However, I felt that there were two other nominees who should've won. Townsend Coleman has done a great job through the years playing a character who was always conflicted between the serene world of Odyssey and the "world of secret agents, mysteries, spies." (Malachi's Message, Album 32: Hidden Treasures) At the end of part 3, Jason says that he's tired of the labyrinth of lies and deception and is ready to go home, but the setup to that point doesn't bring it up to the level of the payoff. The last two scenes are terrific, as we witness the sadness of revenge and the redemption we get from talking to God and communicating about our faith with fellow believers. If Coleman had somehow conveyed through the first two parts the weariness of living out the lie, he would have been the perfect candidate (so I'm very anxious to hear Home Again this fall). I felt that both Jon Curry and Whit Hertford did that to their characters on their respective episodes. Jay was conflicted with morality while Sgt. York was conflicted with his beliefs, and I thought the actors' performances mirrored those conflicts well.


Best Actress
Georgia Dolenz as Sue in The Labyrinth
Renee Dorian as Gracie Williams in Sgt. York
Katie Leigh as Connie Kendall in Something Old, Something New
Audrey Wasilewski as Katrina Meltsner in To Mend or Repair
Linda Porter as Helen Wilson in Mistaken for Good


My Reaction: I thought Sue was a great foil for Jason in London (my sister would STRONGLY disagree), but although Katie Leigh has like, twenty million Odyssey awards, I felt she deserved another one this season. The comedic sides of Connie were expressed in part one as she tried to put together the wedding brochure and the dramatic sides were expressed as she dealed with Mitch's return in part two. Both were executed wonderfully.


Best Minor Character
Joy and Kyle in Child's Play
Red Hollard in Sergeant York
Jacques Henri in Something Old, Something New
Mrs. Kramer in To Mend or Repair
Mycroft Thugg in The Labyrinth


My Reaction: All five nominees represent different branches of comedy. Joy and Kyle represent childish hijinks; Red Hollard with folksy, clumsy, Southern comedy; Jacques Henri  with the comedy of a foreigner speaking English; Mrs. Kramer with droll, sarcastic comedy; and Mycroft Thugg with British comedy. I enjoy droll, sarcastic comedy (i.e. Parks and Recreation), but apparently the voters like British comedy. For my personal taste, I thought Mrs. Kramer was scene-stealing in the two episodes she was in, and the funniest part of the whole season. Bring Mitzi McCall back, Odyssey team! We'll forget Mrs. Sutton and Mrs. Kramer can be a foil for Whit. This category was a matter of taste, and the rest of the fans have a different taste than I do (in this category anyway, but see Best Line).


Best Sound Design
Winner: Sergeant York


My Reaction: Good call. This episode took sound design in Odyssey to new heights, and it was exhilarating to listen to.


Best Line
"One Hundred Things I Hate" by Mrs. Kramer in To Mend or Repair
Jay Smouse's Morning Announcements in Mistaken for Good
Mycroft Thugg's explanation of his name in The Labyrinth
Red Hollard's description of Alvin York in Sergeant York
Joy's questions in Child's Play


My Reaction: Thanks, voters, for recognizing the hilarious Mitzi McCall! The best line should go to the line that is the most memorable, and that line fits the bill as well as being hilarious. Although I felt there were even funnier lines, it was still my favorite of the nominees.


Best Villain
Vance King in Mistaken for Good
Jay Smouse in Mistaken for Good
Mr. Grote in The Labyrinth
Reggie Fingers in The Labyrinth
Maureen in Something Old, Something New


My Reaction: Frankly, Reggie Fingers was a typical villain, and there was nothing really special about him. Maureen was only a villain to the Connie/Mitch shippers, and technically, she might've even been a hero to some of the fans who wanted Mitch to end the relationship. Vance was a good villain, but he wasn't really memorable. Jay and Mr. Grote were interesting villains. Jay was a great antihero as he tried to discern the morality of snagging money from an old lady. Mr. Grote had an amazing voice, and his last scene is a scene that I will not forget when thinking about Odyssey in 2012 for a long time. In fact, ever since The Labyrinth, I've seen Ron Yuan (the actor portraying Mr. Grote) on many TV shows, including NCIS: Los Angeles (one of Ally's top shows), Touch, and Awake.  I'm hoping Mr. Grote returns; he's a great villain that could do well in another saga like the Blackgaard Chronicles or Novacom Saga.


EDIT: Best Episode
Winner: The Labyrinth
Should've Won: Something Old, Something New  Sgt. York (RUNNER-UP: Something Old, Something New/To Mend or Repair)


My Reaction: The Avery Awards are similar to any event with fan-based voting, such as the People's Choice Awards, Kids' Choice Awards, and Teens' Choice Awards. Compare the winner of Choice Movie Drama and Comedy for the Teens' Choice Awards (The Lucky One and 21 Jump Street) to the nominees for Best Picture at this year's Oscars (The Artist, The Descendants, The Help, Hugo, The Tree of Life, War Horse, Extremely Loud and Incredibly Close, Moneyball, Midnight in Paris). Fan awards tend to favor spectacle and visuals over nuanced performances. Now, while there aren't visuals in Odyssey, except the imagination, the winners of the Averys will usually be the big, exciting episode of the season (Case in point: The Jubilee Singers, The Mystery of the Clock Tower). Unbecoming Jay was the funniest episode of Album 54, which earned its attention. While I enjoyed The Labyrinth, certain things didn't seem to click. For me, the first two parts were merely okay, and then the third part was incredible. The first two parts had humor that distracted from the action or simply wasn't needed (I had similar feelings about The Green Ring Conspiracy; but does Jason really have to make a wisecrack every five seconds?) and some plot threads that didn't go anywhere (the worm). There were certain parts that were incredible (see previous reactions), but the episode as a whole didn't deserve the award, in my opinion. Sgt. York was a fantastic historical story written and directed by Dave Arnold, and four parts was just right for me. It told a good story and shared an important message.


RUNNERS-UP: Something Old, Something New was a fantastic dramedy, seamlessly blending together comedy, mystery, romance, and drama. For the first time, I enjoyed myself on a Jones/Parker detective adventure, Kimmy Robertson was hilarious as Penny interacting with everyone (I especially loved scenes with her and Matthew/Emily), and Connie finally got some well-needed character development and closure. I can only describe it as a beautiful episode, but the same goes for To Mend or Repair, which also blended comedy (Barrett, Priscilla, Jay, Mrs. Kramer) and drama (Eugene and Katrina) well. I voted for Something... because the humor was crisper in the end. 


Thanks for reading this long-winded post! Feel free to sound off with your comments and questions in the comments section below! Later this week, we'll go over FP3: The New Kid in Town.