724-725: Home Again, Part 1 And 2

Well, it's been quiteeeee a while, you guys. It's been a long, busy summer - and I'm just realizing that our last review was on April 6. That's about four and a half months since the last review! Ohmeohmyoh. 

Anyways, it's back to work at home and school and in Odyssey. Album 57 has begun! I already have thoughts on Your Servant is Listening, and I would have thoughts on No Chemistry Whatsoever if there was any episode up online whatsoever. (UPDATE: It's on AIO Wiki!) But that's cool. The goal (and we have a lot of failed goals) is to do Push the Red Button this week and Listening this weekend. Hopefully, we'll catch up from there. But then...there's also Candid KOnversations. The season premiere for Candid KOnversations is...Saturday, November 2! I know it's a while, but we want all y'all to focus with us on Album 57 while the season progresses! And it looks like we'll have a lot of interesting Call to Something More stuff to talk about. Check out the Candid KOnversations page for more information.

With our busy schedules (practicing and learning instruments, homework, new clubs, old clubs, new projects, old projects), I think I've managed to figure out some kind of schedule that puts up posts here at least semi-regularly. The goal (anotherrrrr one) is to post at least once a week. Since I have super easy classes this semester, hopefully, we can make that happen! And now, to our review.

THE ODYSSEY TIMES (Facts, notes, and quotes about Odyssey from these eps):

- Don't go, Jack and Joanne! Eugene, quick, sabotage your inventory system so THEY'LL NEVER LEAVE!

- Thank you, Joanne, for your book endowments to the Whit's End Library!

- I'm still not fully comfortable with Whit's new chuckle.

- Why is Whit so surprised that Jason drove all the way back from Washington? Joanne and Connie have done it before (Album 41: In Hot Pursuit).

- Oh, Connie. Connie, Connie, Connie.

- "Prayer means you're dealing with something hard!" Connie, I bet you prayed for that new red Prelude - and I wouldn't call that something hard.

- Nice reference to Something Old, Something New for continuity.

- Why did Connie miss Jason so much? Wink, wink.

- Nice reference to The Green Ring Conspiracy for continuity.

- Wooton outsmarted Whit? Never thought I'd ever write that last sentence.

- They're building another cabin on Trickle Lake.

- "The spiritual disciplines are called disciplines for a reason - they require work. Times of solitude aren't always restful." - Whit

- Jason...really likes coffee.

- Jansen's Jewelers - is that a reference to former EP Al Janssen?

- "It'll make you thirstier so you can appreciate the water more." - the walk from picnic to #3

- "Yes, it's that hint of naïveté in the voice. He's not bad." - Rudolph on Eugene

- Connie sounds abnormally happy to see Jason.

- When was the last time we heard Jason talk to Wooton? 

- "You know where I live?" "Wooton delivers the mail!" "Ohhh...kay..." - Jason and Penny

- Kron's Jewelers is down the street.

- Do the criminals really have to reveal their plans right in front of Eugene?

- Katrina sends really long texts.

- The Judo flip, the Vulcan neck pinch...we've got some intense martial arts action happening in Odyssey.

- "What I want is time to be with God along with time to be with family and friends." - Jason

REVIEW:

The fact that it won three Avery Awards shows the love for Home Again from the fans. It definitely brings back a sense of nostalgia, with previous mainstays like Jason, Jack, and Joanne back on the radio once again. But is that all the episode was? Did it only win for the nostalgia? 

Two elements stood out to me that prevented it from getting my vote for Best Episode. The score for this episode felt very disjointed in certain places, as if they'd just picked up a couple of old John Campbell selections to fit. They didn't all fit well. The end cue was a typical Campbell chord-tingling, heart-racing, emotion-gathering closer, but the rest of the score didn't add much to the story. Eugene's jewel thief storyline also felt disjointed in a similar vein. As Campbell's score felt out of place, the cartoonishness of the whole Rudolph thing felt very disjointed from the dramedy-ish main plot. The "let's capture the criminals" scene near the end with Jason and Whit confronting the thieves was laughable and very unreal. That kind of cheesy capture has worked in previous episodes, but they worked because the entire tone of the episode was in that light-hearted realm. This episode did not need that tone at all, and it added a little bit of a bitter aftertaste (afterhear?) for me after listening.

Courtesy AIO Wiki

But let's look at the positives. I loved hearing new dynamics that have never been heard on the show before. I AIO wikied it and found that this was the first time that Wooton and Jason have ever been heard together! I also liked the comedic interactions between Joanne and Eugene. Normally, Eugene went to go talk to the Allens for perspective from both Allens. I thought the chemistry between Will Ryan and Janet Waldo was fantastic - it felt raw and real and hilarious. Townsend's monologue as Jason toward the end of the first part was also incredible. It gave us an inner look at Jason's thought process, especially the settling down after a lifetime of spy work part. Coleman managed to inflict the emotions of trying to find peace while managing to add comedy with the whole coffee thing. The sound design was also spot-on. It was pretty subtle, but that's often what makes the design great. 

I was also proud to continue to see Connie, Penny, and Jason grow as characters. If you've read some of my previous posts, you'd know I was upset that they seemed to grow stagnant from Albums 51 - 54. Connie's been learning about letting go of regrets and making assumptions since Something Old, and it's really interesting to learn and grow along with her. Penny has been making some steady progress, and although her journey can be a little annoying at times (repeating the same process as Childish Things with Happy Hunting), her growth is growing on me, so to speak. Jason's vulnerabilities are beginning to be more fully explored again, which is a great move for the show, from the end of The Labyrinth to now. That's why it was so saddening to see him once again resort to the action hero archetype at the end. Thankfully, his new job heading J&J Antiques should bring in plenty of new story for him. Oh, and the thing with Connie and Jason? That deserves its own article.

Home Again is not my most favorite episode of Album 56. The writing wasn't completely airtight and was too disjointed in trying to craft its theme into all of its plot threads & stuffing in old John Campbell cues to hobble together a score. But for all of its disjointedness, it makes up for it in characterizations, acting performances, sound design, and new dynamics. The very presence of Jack (so good to hear you, Alan Young!) boosts this up a couple more points. I give this episode a 92/100, or a

A-

Post your comments below or email us at jandakocompany@yahoo.com!

FOR MORE INFORMATION:

Catch up on Josh's summer by reading his blog from the past several months here

Buy this episode and 11 others on Album 56: The Grand Design via CBD
Talk about this episode and a bunch of other Odyssey stuff over at Campbell County

The Grand Design Avery Awards: Predictions & Snubs

Hey, hey, hey, happy Oscar season, y'all! And in the heat of the award season, the night before the Golden Globes, lies my predictions and sad reflections on the snubs for the 6th Biannual Avery Awards, recorded live from Colorado Springs, CO! Unfortunately, this is finals week, however, our new release date for the pilot is Tuesday, January 22. Stay tuned! Oh, and our Happy Hunting review will follow later in the week. As many, many prognosticators try to figure out the Oscar race, I take on the work carried out so wonderfully by Ben Warren four albums ago for Album 52. I was inspired by all the Oscar guessing game sites but looked back at Ben's to see what I could learn from him as well. By the way, if you haven't checked out his always professional, always entertaining, always thought-provoking blog, The Changing Times, check it out as soon as you're done with this post. And now...zee categories...

Best Actress
Chris Anthony as Lady Deluxe Haversham in "Push the Red Button"
Georgia Dolenz as Rhoda in "The Perfect Church"
Katie Leigh as Connie in "Home Again"
Christina Pucelli as Emily Jones in "Great Expectations"
Kimmy Robertson as Penny Wise in "Happy Hunting"

Should/Will Win: When looking at the nominees in this category, I connected Katie Leigh and Christina Pucelli's performances very closely. They both portrayed female characters unsure about their future; Emily about their future career and Connie about Jason's future and her future connections with Whit and Eugene. Emily continues to deepen and develop as a character, but I feel like the emotional weight continues to fall behind Katie Leigh, who has had 25 years to develop Connie. Similarly to the Oscars, it's often difficult to compare dramatic and comedic performances (unlike the Golden Globes), but we are forced to through Chris (who has a delightfully over the top performance) and Kimmy (Penny's mishaps). While I really enjoyed Perfect Church, I thought Georgia Dolenz's performance as Rhoda was good, but not great unlike some of the other nominees. Lady DH was a little too over-the-top for me and Penny is still lacking mature emotional growth, so my Should Win/Will Win falls to Katie Leigh for Connie! Again.

Snubbed: Carolyn Hennesy stole every scene she was in in "Perfect Church" taking on the role of Saphira after  similar biblical roles and Mama Shepard in her past AIO career. Disappointed, but definitely not surprised.

Best Sound Design
All episodes nominated

Should/Will Win: Josh is undergoing relistens to Album 56, so hold your horses. However, he really enjoyed sound design for "Perfect Church," done by GAP Digital. 

Snubbed: Uh, that invisible episode on Disc 5 definitely should've gotten nominated. 

Best Actor
Zach Callison as Matthew Parker in "The Perfect Church"
Jim Custer as Young Whit in "Great Expectations"
Townsend Coleman as Lord Gargantuan Foulspleen in "Push the Red Button"
Dan Hagen as Drill Sergeant Combs in "The Bible Network"
Whit Hertford as Jay Smouse in "Groundhog Jay"

Should/Will Win: The nicest surprise in this category is that Dan Hagen was recognized for all of his great work in "The Bible Network." He played multiple roles, but the drill sergeant was the funniest and had tons of memorable lines. Looking back, there were a lot of great male performances this year. Jay continues to be a fantastic antihero that reflects many moral struggles people go through. Matthew articulated our thoughts and feelings in The IS. And Jim Custer plasters in a very warm quality to his portrayal of Whit, and his ability to sound older as Whit did was incredible. Jim Custer has my vote for "Should Win," (Dan Hagen, don't worry, you're right behind) but I'm predicting that Whit Hertford will take home his second Avery in two years, due in large part to Jay's popularity, and I'm fine with that as well.

Snubbed: JIM CUMMINGS. Come on, his Stephen was one of the best Biblical reenactments I have ever seen. The retelling and the acting were top-notch, and I'm incredibly disappointed he did not get a nod. Can he get a honorary Avery for being Jim Cummings? Heck, why we're at it, let's give Phil Lollar a honorary Avery for "Best Being Back on Odyssey Moment." I would've also liked to see Townsend nominated for "Home Again," but a nod is a nod is a nod. Or something like that.

Best Script
All episodes nominated

Should/Will Win: If you've been reading this blog, you already know that my Should Win is..."The Perfect Church." As I said in my review, "'The Perfect Church' pulls something off masterfully; it manages to take Scripture (Acts 1:8-8:3) and create a narrative that tells the story and yet makes you wonder how McCusker/Younger are going to tell it." Sadly, I don't believe that enough voters will take notice and the award will probably fall to "Home Again" because Jason and Joanne showed up or "Groundhog Jay" because Jay was in it and had funny things to say. However, I must admit that if "Perfect Church" wasn't in the album, my vote would've gone to "Jay."

Best Scene
Barrett finally realizes the consequences of not tithing in "For Three Dollars More"
Bible Boot Camp in "The Bible Network"
Dale Jacobs learns the whole story from Kenny Rutherford in "The Lost Riddle"
Connie, Wooton, and Penny reunite with Jason in "Home Again"
Lord Gargantuan Foulspleen destroys the Sistine Chapel in "Push the Red Button" 

Should/Will Win: Of these particular scenes nominated, the only scene that stuck out to me was Bible Boot Camp. It was the funniest, but also had the best lesson. Jacobs/Rutherford sounded familiar (Buried Sin, Album 32: Hidden Treasures), the reunion scene wasn't as impactful since we'd already heard a lot of Jason and it didn't happen till the middle of Part 2, and I sadly don't remember the Barrett/LGF scenes. I'm thinking voters will feel the same way as me, but don't count out the Jason Reunion scene; pure Jason nostalgia could carry that scene to a victory. 

Snubbed: I'm getting tired of repeating my praise for "The Perfect Church," so here's an excerpt from my review: "The most powerful scene was when Jim Cummings as Stehen testified to the high court with his defense. The fact that it was taken literally from the Bible, along with Cumming's commanding performance, made me begin to tear up. Now, I don't cry very often at media, unless some element of the form moves me (See: Clara). His acting is powerful, intense, and speaks to us today."

Best Overall Episode
All episodes nominated

Should/Will Win: And once again, another excerpt: "['The Perfect Church'] speaks to us today. The church today is not perfect as well. The episode shows us how God uses all of us with our flaws for his purpose. We have our flaws, and we have our disagreements, and yet, God still calls us to fellowship, worship, and preach together. This can be hard, as I know well, but it's an important lesson for us to learn today. The whole episode feels very human, as often we think of the people of the Bible as superheroes, but God uses all kinds of people for His plan, from prostitutes to corrupt tax collectors to murderers (Saul!). The theme is beautiful, with wonderful harmonies, and a score that captures the episode completely. Paul McCusker and Marshal Younger have crafted an episode that deserves to be up there with the best of the best in Odyssey. The story is engaging, well-told, fresh, moving, and relevant; with powerful performances, dialogue, and sound." My Will Win falls to "Home Again," though "Groundhog Jay" could always be the dark horse in this race.

Let me know what you guys thought of this season's performances! More Candid KOnversations, Album 56 reviews, and Album 57 discussion to follow in the weeks and months ahead. 

LINKS:
Read all of our Album 56 reviews
Buy Album 56 on CBD
Vote for The Grand Design Avery Awards at the Whit's End Blog