Hey y'all!
Things are getting crazy up in here. Ally has tennis non-stop, and I'm doing college apps and clubs and extracurricular activities and...well, you get the picture. But in the midst of it all, we're trying to find time to edit Episode 2, or the season premiere, of Candid KOnversations and start recording Episode 3! I'm getting a slight idea of what it must have been like for Phil Lollar and Steve Harris back in '87. And to the circus we go, along with the one-episode triumphant return of Matthew Parker!
UPDATE 10/26: Marc Evan Jackson, otherwise known as David Parker, guest starred on my favorite show, Parks and Recreation, and he was hilarious. But anyways, reviews of Life Expectancy and The Pilot should be released soon, but note that all Album 57 reviews will be subject to change since they're based on the radio version, not the album version. After hearing of some potentially important scenes, we might have to wait a little longer so I can listen to the album version!
LISTEN ALONG WITH ME HERE
THE ODYSSEY TIMES (Facts, notes, and quotes about Odyssey from this ep):
- Finally, a title of a mystery that is actually the title that Emily selects.
- Oh no! Zach's voice is beginning to hit that time of life!
- "Welcome to the circus!"
- Well, look at you, Emily and Matthew, Mr. and Mrs. Sherlock Einstein.
- I thought clowns didn't talk to people that weren't in the CCC... (Like Father, Like Wooton, Album 47: Into the Light)
- Dual identities!
- "Don't let loyalty and faithfulness leave you. Bind them around your neck. Write them around the tablet of your heart." - Proverbs 3:3
REVIEW:
Jones and Parker Detective Agency mysteries have been a curious phonomenon in the new era of Adventures in Odyssey. The excitement of what could have been was run over the appearance of Game for a Mystery (Album 51: Take It From the Top), and expectations were lowered. Emily was a know-it-all who was a little insufferable, although smart. Although there was potential for this annoying character to have somewhat of a human side, we never saw it throughout Albums 51 - 52 (Take It From the Top, Cause and Effect). 53 - 54 (The Green Ring Conspiracy, Clanging Cymbals) began to open her up and break her character down and really deconstruct the once smug, all-knowing personality we associated her with. 56 (The Grand Design). Emily has slowly evolved into a character who is definitely extremely smart and observant, and while she has many unlikable qualities, still remains to gain an amount of respect from at least this listener. The most recent albums have given us both characterization and development for Ms. Jones and the other characters, moving plots further (Something Old...), giving us more insight (Great Expectations), helping other characters grow (the very good Repent After Me), and more mysteries.
That brings us to Big Trouble, which seems like it might be trouble but manages to dig itself out. It feels like a shadow of the earlier Jones/Parker mysteries, but Matthew definitely has the stronger presence that he's been having throughout the show. He was mostly used for comic relief and circus trivia throughout the show, which, pun intended, seemed rather trivial for his character. I'm wondering if the writers are wondering what to do with Matthew at a point where his voice is beginning to change, but he's not involved in any heavy storylines. This is his only appearance in this album, a shocking change from the last six, and it unfortunately barely registers due to the story.
Emily's deductive reasoning (and yes, a little Matthew) led to the culprit being uncovered. Of course, for many listeners, the mystery was never really in doubt. The culprit's motives were relayed very unsubtly toward the first five or so minutes of the episode. The real question was whether the episode could hold the audience's attention. After Game for a Mystery, many listeners were disappointed that it was more whiny Barrett and less Encyclopedia Brown. They got it with this one. Unfortunately, it was way too predictable of a mystery.
However, on the attention front, Wynn and Hoose fired on all cylinders. The circus atmosphere is a lot of fun and brings a lot of great moments and characterizations from the staff. I was a huge fan of the voices, and I know it sounds strange, but I got a big Madagascar: Europe's Most Wanted vibe. Zara, Esteban, and Pockets were great characters that were fun to listen to.
One major element of the plot was the idea of a class system in the circus family. They used it to tie up a theme about treating others well and with respect. I thought that that was a squandered opportunity that could've been used to open up a discussion about the way we see people, but that's a minor complaint. Music and sound design were on point and very well-done and slightly over the top to match the writing.
Overall, Big Trouble Under the Big Top manages not to find itself in that much trouble. It's an enjoyable Jones and Parker Detective Agency that's very predictable, but it's a lot of fun, with a quirky sound design and score. I give this episode a 87/100, or a
B
FOR MORE INFORMATION:
AVERY WATCH:
Best Sound Design - Jonathan Crowe
Best Score - John Campbell
Best Actor - Eduardo Antonio Garcia (Esteban), Gregg Bissonette (Pockets the Clown)
Best Actress - Hahni Critch [?] (Zara)
Happy Monday! Just kidding. Silly, those don't exist.
If you haven't already, listen along with me and read The Odyssey Times below as you listen to Repent After Me for my quick takes and thoughts (aired originally September 14).
LISTEN HERE
THE ODYSSEY TIMES (Facts, notes, and quotes about Odyssey from this ep):
- Priscilla hit academic probation a couple years ago.
- Katrina's been installing a new physics lab at Odyssey Middle School.
- Hoo hoo hoo! Whit's impressed laugh sounds quite Owl-ish.
- Eavesdropping Emily's at it again!
- The Jones and Jones Detective Agency are on the case!
- Twist: the locker belongs to no one!
- "Or she - villains can be female, you know!" - Emily, making the cause for villain equality
- Mr. Redekop - hmm, that name sounds familiar. (:
- "Repentance is more than feeling badly for what you did and trying to fix it. Those are important things, to be sure, but another key is confession. Admitting what you did to God and the person you harmed and asking for your forgiveness." - Whit
- Oh snap, Emily's not the only detective on the block, and Matthew's not the only Parker who could be in a detective agency.
- Bren McFarland, you're a cheater!
- There was only one real suspect this whole time.
- "They were a public service for disadvantaged students who needed a helping hand with, you know, the rigors of a tough school schedule." - Jay thinking fast
- "The last step of repentance. What's that? Accept forgiveness." - Olivia and Barrett
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| Courtesy AIO Wiki |
REVIEW:
For me, the most exciting thing about this episode after I had heard it for the first time was that I had figured out who the culprit was long ago. The exciting fact was that I was riveted still the entire time. That's due to another great script by Marshal Younger (another winner after last week's More Than a Feeling) and the always talented Nathan Hoobler. While the opening scene had a lot of exposition at the beginning, we started moving briskly along.
The entire episode was an intriguing case study on repentance and how God uses other emotions, such as guilt, and people, such as Olivia, to guide us back to Him. Or as I like to call it ('cause I'm feeling rhymy tonight), an interesting meditation on motivation. With all due respect, this blew most of the typical "mystery" cases we've heard lately out of the water because the suspense was so character-driven and not so gimmick-based. I loved the mystery-solving teamwork element between Emily and her brother - it made the mystery so much more interesting hearing a dynamic we don't get to hear often enough.
ASIDE: In this new era of Odyssey shows, family time is a very precious thing. The last time the Parkers were all together was...An Agreeable Nanny? Three years ago? The Jones last convened in Emily the Genius - two years ago. The emphasis now seems to be on the "gang" of kids - being Matthew, Olivia, Emily, Barrett, and Jay; with Priscilla and Camilla recurring. END ASIDE.
My favorite part of this episode was the relationship between Barrett and Olivia. This season, we've been able to see them interact in both humorous, partnering, and dramatic situations, and the character development has been huge. Major props to Kelly Stables for one of her best, if not her best, performance as Olivia, handling some really dramatic and sleuthin' scenes really well. Some commenters have wondered if this is the beginning of a triangle with Priscilla - frankly, I don't care. Whatever the writers decide to do with B/O is fine as long as the development continues, because the growth is a huge positive for the show.
My final comment is on the placement of this show in the season (SPOILER ALERT). With the knowledge that Jay had, of course, once again concocted a plot to get Barrett in trouble, I thought that this would've been a great lead-in to The Friend Formula, which showed Jay attempting revenge and intel on Mr. Jones. With the order of the shows, it appeared Jay had learned nothing from Friend Formula, which he may have well have, and grasped no new developments after the friendship with Riley. I would've preferred to have them swapped, but who knows, maybe the writers are building toward some ultimate Jay-Barrett showdown in the near future.
A script that dabbles in mystery and delights in character development is not only a joy to listen to, but a joy to learn from about repentance, and that's what Marshal Younger and Nathan Hoobler do here. With great performances from Christina Puccelli and Kelly Stables and a good starring turn by Andy Pessoa, solid score and sound design, this is one episode to repeat after me. I give Repent After Me a 96/100, or an
A
FOR MORE INFORMATION:
Catch up on Josh's summer by reading his blog from the past several months here
AVERY WATCH:
Best Episode
Best Script - Marshal Younger and Nathan Hoobler
Best Sound Design - Rob Jorgensen
Best Actress - Kelly Stables (Olivia)
Best Scene - Barrett and Olivia wrapping up the episode
Well, hi there, everyone. I've been visiting some colleges during my break this week and it's starting to make me realize just how little time I have left until it's time to move on to a new stage in my life.
Well, Grover Cleveland, that was a rather dim way to kick off this review.
College hunting was also fun to check out different campuses and ask questions and do awkward things (like normal), but I had to do a lot of investigating this week. You might say in fact, as much investigating as EMILY AND MATTHEW DO IN TODAY'S REVIEW.
Oh, come on. Was that a great tie-in from real life to review or what? Just wait till the next review: Groundhog Jay. Haha, alright, let's get serious (not) and head into a Jones/Parker/Jacobs mystery.
THE ODYSSEY TIMES (Facts, notes, and quotes about Odyssey from this ep):
-I sympathize with group partners not doing their fair share.
-Emily grunts quite loudly when banging herself against her locker.
-As Ben Warren noticed, in all the years since the riddle has been in the locker, NO ONE HAS NOTICED IT? Hey eyedoctors, there's a great opening for you at Odyssey Optometry.
-"I have never been, am always to be; no one ever has, nor ever will be a witness to me. You cannot touch me or taste me, I neither grow nor decay; but if I did not exist, you would all pass today." - #riddlemethis
-Matthew and his wry comments on Emily's case-naming skills. Love 'em.
-Whit taught 25 years ago. My deduction is that if 25 years ago in the real world was 1987, and Whit was at Whit's End then, Odyssey time either runs slower, or this mystery happened over five years ago. I won't know until I review the other seven hundredish episodes I have left. That shouldn't take too long.
-Mrs. Mays w/ motorcycle is played by Mary Pat Gleason. I searched her up, and she's been in dozens, if not hundreds, of TV shows and movies, including Guiding Light, 1600 Penn, and The Island.
-I appreciate the sound design in the filing room, as I do with the rest of the show.
-"Dale Jacobs of the Odyssey Times? Dale Jacobs of the need for pimple cream." - Emily and Mrs. Mays
-THE SOUND OF DALE JACOB'S VOICE ON ODYSSEY ONCE AGAIN; IT'S BEEN SO LONG SINCE...oh wait, he was in The Labyrinth. Never mind, nothing to see here, carry on.
-Secret Codes 101: Put water on laminated cards and messages can appear as the ink outside of the card rubs off. When you put all the letters all together, it'll create groups of words. Then you put them all together into a simple message. Lemon juice can be used for invisible ink and can be viewed when you put heat on it.
-The Science of Secret Codes 101: The acid of the juice weakens the paper fibers.
-Whit tells Emily and Matthew "happy hunting" - inspiration for the name of the episode two eps prior?
-Kenny Rutherford writes the Big Jack Brannagan mystery series.
-From AIO Wiki: It is revealed that Whit was a teacher while Dale Jacobs was still in middle school over 25 years ago. As Whit stated that he that he was teaching part time this means that Whit was either in his 50s or 60s at the time putting Whit in his 70s or 80s now and putting Dale in his 40s or 50s now which would make sense taking into account Robyn and Melanie are living on their own.
-In addition to all of that, if Dale was in middle school 25 years ago, yet Robyn and Melanie were already preteens 25 years ago, the timeline gets screwed. The time paradox continues...
-"And I'm a big fan of your books, Mr. Rutherford! And I'm...her friend." - Emily and Matthew
-"With my guilt, I read into everything you did and didn't do." - Kenny Rutherford
REVIEW:
I've developed a special relationship with the Jones and Parker Detective Agency mysteries over the years. I enjoy reading them in Ally's Clubhouse, but the first time I was introduced to them was through Game for a Mystery. My, oh, my, have times have changed. While definitely disenchanted with the Agency at first, they've steadily improved from Stage Fright to The Case of the Missing Appleberry (name coined by me) to Something Old, Something New. This mystery continues off where Something established, which was to make us care about the case. Quite honestly, Barrett's voice was so irritating and annoying back in Album 51 that I didn't really care that he'd lost his video game. Emily hadn't been established long enough to make me want to care about her solving the ghost problem (that, and the fact that it was once again all a ploy by a reality TV show). But as the characters of Emily and Matthew have developed, I've started to care, and the writers have latched on to that whole "caring" notion by connecting Penny and Connie in their last case.
The Lost Riddle brings back Dale Jacobs to our ears to help Emily and Matthew solve this case, so we already have someone we know and love to care about, and since Emily has been made much more sympathetic and vulnerable with her character arc, we care about the crime-solvers as well. Since this case was about a riddle, there were elements of this case that the listener could try and solve for themselves, something that fans complained about back when Game for a Mystery first came out.
I must admit that I was one of the fans who complained that Odyssey had once again ripped off a past show, in this case, Buried Sin. But after relistening to the show for the review, I had to slightly retract that thought. The idea, skeleton, and structure for the show were similar, but it was the tone that was different; I guess you could say that this was slightly more comedic. Nonetheless, I'm still disappointed that Odyssey has to resort to recycling old ideas after steadily coming up with new material for 20 years, but hey, that's another article for another day.
The music and sound effects sounded even better when I listened via headphones. The scenes really came alive, especially in the aforementioned filing room scene with Mrs. Mays. The tie-in with Jay fit, and not only was a case solved, but a lesson was learned by the case solvers.
The Lost Riddle takes an old Odyssey idea and adds some new elements that work, with excellent production design, although it lacked some originality. Nonetheless (and partly in thanks to the very presence of Dale Jacobs), I give it a 89/100, or a
B+
FOR MORE INFORMATION:
Buy this episode and 11 others on Album 56: The Grand Design via CBD
Talk about this episode and a bunch of other Odyssey stuff over at Campbell County
Hey, hey, hey, happy Oscar season, y'all! And in the heat of the award season, the night before the Golden Globes, lies my predictions and sad reflections on the snubs for the 6th Biannual Avery Awards, recorded live from Colorado Springs, CO! Unfortunately, this is finals week, however, our new release date for the pilot is Tuesday, January 22. Stay tuned! Oh, and our Happy Hunting review will follow later in the week. As many, many prognosticators try to figure out the Oscar race, I take on the work carried out so wonderfully by Ben Warren four albums ago for Album 52. I was inspired by all the Oscar guessing game sites but looked back at Ben's to see what I could learn from him as well. By the way, if you haven't checked out his always professional, always entertaining, always thought-provoking blog, The Changing Times, check it out as soon as you're done with this post. And now...zee categories...
Best Actress
Chris Anthony as Lady Deluxe Haversham in "Push the Red Button"
Georgia Dolenz as Rhoda in "The Perfect Church"
Katie Leigh as Connie in "Home Again"
Christina Pucelli as Emily Jones in "Great Expectations"
Kimmy Robertson as Penny Wise in "Happy Hunting"
Should/Will Win: When looking at the nominees in this category, I connected Katie Leigh and Christina Pucelli's performances very closely. They both portrayed female characters unsure about their future; Emily about their future career and Connie about Jason's future and her future connections with Whit and Eugene. Emily continues to deepen and develop as a character, but I feel like the emotional weight continues to fall behind Katie Leigh, who has had 25 years to develop Connie. Similarly to the Oscars, it's often difficult to compare dramatic and comedic performances (unlike the Golden Globes), but we are forced to through Chris (who has a delightfully over the top performance) and Kimmy (Penny's mishaps). While I really enjoyed Perfect Church, I thought Georgia Dolenz's performance as Rhoda was good, but not great unlike some of the other nominees. Lady DH was a little too over-the-top for me and Penny is still lacking mature emotional growth, so my Should Win/Will Win falls to Katie Leigh for Connie! Again.
Snubbed: Carolyn Hennesy stole every scene she was in in "Perfect Church" taking on the role of Saphira after similar biblical roles and Mama Shepard in her past AIO career. Disappointed, but definitely not surprised.
Best Sound Design
All episodes nominated
Should/Will Win: Josh is undergoing relistens to Album 56, so hold your horses. However, he really enjoyed sound design for "Perfect Church," done by GAP Digital.
Snubbed: Uh, that invisible episode on Disc 5 definitely should've gotten nominated.
Best Actor
Zach Callison as Matthew Parker in "The Perfect Church"
Jim Custer as Young Whit in "Great Expectations"
Townsend Coleman as Lord Gargantuan Foulspleen in "Push the Red Button"
Dan Hagen as Drill Sergeant Combs in "The Bible Network"
Whit Hertford as Jay Smouse in "Groundhog Jay"
Should/Will Win: The nicest surprise in this category is that Dan Hagen was recognized for all of his great work in "The Bible Network." He played multiple roles, but the drill sergeant was the funniest and had tons of memorable lines. Looking back, there were a lot of great male performances this year. Jay continues to be a fantastic antihero that reflects many moral struggles people go through. Matthew articulated our thoughts and feelings in The IS. And Jim Custer plasters in a very warm quality to his portrayal of Whit, and his ability to sound older as Whit did was incredible. Jim Custer has my vote for "Should Win," (Dan Hagen, don't worry, you're right behind) but I'm predicting that Whit Hertford will take home his second Avery in two years, due in large part to Jay's popularity, and I'm fine with that as well.
Snubbed: JIM CUMMINGS. Come on, his Stephen was one of the best Biblical reenactments I have ever seen. The retelling and the acting were top-notch, and I'm incredibly disappointed he did not get a nod. Can he get a honorary Avery for being Jim Cummings? Heck, why we're at it, let's give Phil Lollar a honorary Avery for "Best Being Back on Odyssey Moment." I would've also liked to see Townsend nominated for "Home Again," but a nod is a nod is a nod. Or something like that.
Best Script
All episodes nominated
Should/Will Win: If you've been reading this blog, you already know that my Should Win is..."The Perfect Church." As I said in my review, "'The Perfect Church' pulls something off masterfully; it manages to take Scripture (Acts 1:8-8:3) and create a narrative that tells the story and yet makes you wonder how McCusker/Younger are going to tell it." Sadly, I don't believe that enough voters will take notice and the award will probably fall to "Home Again" because Jason and Joanne showed up or "Groundhog Jay" because Jay was in it and had funny things to say. However, I must admit that if "Perfect Church" wasn't in the album, my vote would've gone to "Jay."
Best Scene
Barrett finally realizes the consequences of not tithing in "For Three Dollars More"
Bible Boot Camp in "The Bible Network"
Dale Jacobs learns the whole story from Kenny Rutherford in "The Lost Riddle"
Connie, Wooton, and Penny reunite with Jason in "Home Again"
Lord Gargantuan Foulspleen destroys the Sistine Chapel in "Push the Red Button"
Should/Will Win: Of these particular scenes nominated, the only scene that stuck out to me was Bible Boot Camp. It was the funniest, but also had the best lesson. Jacobs/Rutherford sounded familiar (Buried Sin, Album 32: Hidden Treasures), the reunion scene wasn't as impactful since we'd already heard a lot of Jason and it didn't happen till the middle of Part 2, and I sadly don't remember the Barrett/LGF scenes. I'm thinking voters will feel the same way as me, but don't count out the Jason Reunion scene; pure Jason nostalgia could carry that scene to a victory.
Snubbed: I'm getting tired of repeating my praise for "The Perfect Church," so here's an excerpt from my review: "The most powerful scene was when Jim Cummings as Stehen testified to the high court with his defense. The fact that it was taken literally from the Bible, along with Cumming's commanding performance, made me begin to tear up. Now, I don't cry very often at media, unless some element of the form moves me (See: Clara). His acting is powerful, intense, and speaks to us today."
Best Overall Episode
All episodes nominated
Should/Will Win: And once again, another excerpt: "['The Perfect Church'] speaks to us today. The church today is not perfect as well. The episode shows us how God uses all of us with our flaws for his purpose. We have our flaws, and we have our disagreements, and yet, God still calls us to fellowship, worship, and preach together. This can be hard, as I know well, but it's an important lesson for us to learn today. The whole episode feels very human, as often we think of the people of the Bible as superheroes, but God uses all kinds of people for His plan, from prostitutes to corrupt tax collectors to murderers (Saul!). The theme is beautiful, with wonderful harmonies, and a score that captures the episode completely. Paul McCusker and Marshal Younger have crafted an episode that deserves to be up there with the best of the best in Odyssey. The story is engaging, well-told, fresh, moving, and relevant; with powerful performances, dialogue, and sound." My Will Win falls to "Home Again," though "Groundhog Jay" could always be the dark horse in this race.
Let me know what you guys thought of this season's performances! More Candid KOnversations, Album 56 reviews, and Album 57 discussion to follow in the weeks and months ahead.
LINKS:
Read all of our Album 56 reviews
Buy Album 56 on CBD
Vote for The Grand Design Avery Awards at the Whit's End Blog
