The Grand Design Avery Awards: Predictions & Snubs

Hey, hey, hey, happy Oscar season, y'all! And in the heat of the award season, the night before the Golden Globes, lies my predictions and sad reflections on the snubs for the 6th Biannual Avery Awards, recorded live from Colorado Springs, CO! Unfortunately, this is finals week, however, our new release date for the pilot is Tuesday, January 22. Stay tuned! Oh, and our Happy Hunting review will follow later in the week. As many, many prognosticators try to figure out the Oscar race, I take on the work carried out so wonderfully by Ben Warren four albums ago for Album 52. I was inspired by all the Oscar guessing game sites but looked back at Ben's to see what I could learn from him as well. By the way, if you haven't checked out his always professional, always entertaining, always thought-provoking blog, The Changing Times, check it out as soon as you're done with this post. And now...zee categories...

Best Actress
Chris Anthony as Lady Deluxe Haversham in "Push the Red Button"
Georgia Dolenz as Rhoda in "The Perfect Church"
Katie Leigh as Connie in "Home Again"
Christina Pucelli as Emily Jones in "Great Expectations"
Kimmy Robertson as Penny Wise in "Happy Hunting"

Should/Will Win: When looking at the nominees in this category, I connected Katie Leigh and Christina Pucelli's performances very closely. They both portrayed female characters unsure about their future; Emily about their future career and Connie about Jason's future and her future connections with Whit and Eugene. Emily continues to deepen and develop as a character, but I feel like the emotional weight continues to fall behind Katie Leigh, who has had 25 years to develop Connie. Similarly to the Oscars, it's often difficult to compare dramatic and comedic performances (unlike the Golden Globes), but we are forced to through Chris (who has a delightfully over the top performance) and Kimmy (Penny's mishaps). While I really enjoyed Perfect Church, I thought Georgia Dolenz's performance as Rhoda was good, but not great unlike some of the other nominees. Lady DH was a little too over-the-top for me and Penny is still lacking mature emotional growth, so my Should Win/Will Win falls to Katie Leigh for Connie! Again.

Snubbed: Carolyn Hennesy stole every scene she was in in "Perfect Church" taking on the role of Saphira after  similar biblical roles and Mama Shepard in her past AIO career. Disappointed, but definitely not surprised.

Best Sound Design
All episodes nominated

Should/Will Win: Josh is undergoing relistens to Album 56, so hold your horses. However, he really enjoyed sound design for "Perfect Church," done by GAP Digital. 

Snubbed: Uh, that invisible episode on Disc 5 definitely should've gotten nominated. 

Best Actor
Zach Callison as Matthew Parker in "The Perfect Church"
Jim Custer as Young Whit in "Great Expectations"
Townsend Coleman as Lord Gargantuan Foulspleen in "Push the Red Button"
Dan Hagen as Drill Sergeant Combs in "The Bible Network"
Whit Hertford as Jay Smouse in "Groundhog Jay"

Should/Will Win: The nicest surprise in this category is that Dan Hagen was recognized for all of his great work in "The Bible Network." He played multiple roles, but the drill sergeant was the funniest and had tons of memorable lines. Looking back, there were a lot of great male performances this year. Jay continues to be a fantastic antihero that reflects many moral struggles people go through. Matthew articulated our thoughts and feelings in The IS. And Jim Custer plasters in a very warm quality to his portrayal of Whit, and his ability to sound older as Whit did was incredible. Jim Custer has my vote for "Should Win," (Dan Hagen, don't worry, you're right behind) but I'm predicting that Whit Hertford will take home his second Avery in two years, due in large part to Jay's popularity, and I'm fine with that as well.

Snubbed: JIM CUMMINGS. Come on, his Stephen was one of the best Biblical reenactments I have ever seen. The retelling and the acting were top-notch, and I'm incredibly disappointed he did not get a nod. Can he get a honorary Avery for being Jim Cummings? Heck, why we're at it, let's give Phil Lollar a honorary Avery for "Best Being Back on Odyssey Moment." I would've also liked to see Townsend nominated for "Home Again," but a nod is a nod is a nod. Or something like that.

Best Script
All episodes nominated

Should/Will Win: If you've been reading this blog, you already know that my Should Win is..."The Perfect Church." As I said in my review, "'The Perfect Church' pulls something off masterfully; it manages to take Scripture (Acts 1:8-8:3) and create a narrative that tells the story and yet makes you wonder how McCusker/Younger are going to tell it." Sadly, I don't believe that enough voters will take notice and the award will probably fall to "Home Again" because Jason and Joanne showed up or "Groundhog Jay" because Jay was in it and had funny things to say. However, I must admit that if "Perfect Church" wasn't in the album, my vote would've gone to "Jay."

Best Scene
Barrett finally realizes the consequences of not tithing in "For Three Dollars More"
Bible Boot Camp in "The Bible Network"
Dale Jacobs learns the whole story from Kenny Rutherford in "The Lost Riddle"
Connie, Wooton, and Penny reunite with Jason in "Home Again"
Lord Gargantuan Foulspleen destroys the Sistine Chapel in "Push the Red Button" 

Should/Will Win: Of these particular scenes nominated, the only scene that stuck out to me was Bible Boot Camp. It was the funniest, but also had the best lesson. Jacobs/Rutherford sounded familiar (Buried Sin, Album 32: Hidden Treasures), the reunion scene wasn't as impactful since we'd already heard a lot of Jason and it didn't happen till the middle of Part 2, and I sadly don't remember the Barrett/LGF scenes. I'm thinking voters will feel the same way as me, but don't count out the Jason Reunion scene; pure Jason nostalgia could carry that scene to a victory. 

Snubbed: I'm getting tired of repeating my praise for "The Perfect Church," so here's an excerpt from my review: "The most powerful scene was when Jim Cummings as Stehen testified to the high court with his defense. The fact that it was taken literally from the Bible, along with Cumming's commanding performance, made me begin to tear up. Now, I don't cry very often at media, unless some element of the form moves me (See: Clara). His acting is powerful, intense, and speaks to us today."

Best Overall Episode
All episodes nominated

Should/Will Win: And once again, another excerpt: "['The Perfect Church'] speaks to us today. The church today is not perfect as well. The episode shows us how God uses all of us with our flaws for his purpose. We have our flaws, and we have our disagreements, and yet, God still calls us to fellowship, worship, and preach together. This can be hard, as I know well, but it's an important lesson for us to learn today. The whole episode feels very human, as often we think of the people of the Bible as superheroes, but God uses all kinds of people for His plan, from prostitutes to corrupt tax collectors to murderers (Saul!). The theme is beautiful, with wonderful harmonies, and a score that captures the episode completely. Paul McCusker and Marshal Younger have crafted an episode that deserves to be up there with the best of the best in Odyssey. The story is engaging, well-told, fresh, moving, and relevant; with powerful performances, dialogue, and sound." My Will Win falls to "Home Again," though "Groundhog Jay" could always be the dark horse in this race.

Let me know what you guys thought of this season's performances! More Candid KOnversations, Album 56 reviews, and Album 57 discussion to follow in the weeks and months ahead. 

LINKS:
Read all of our Album 56 reviews
Buy Album 56 on CBD
Vote for The Grand Design Avery Awards at the Whit's End Blog

715-716: The Perfect Church, Part 1 and 2

Happy October everyone! Apologies for the slower posting rate, but hey, it's October, and like a typical high school junior, I'm pulling 5 hour or less sleep hours on weeknights, so it's intense. I'm excited for this new season of Odyssey and am looking forward to reviewing it! Hopefully,  I'll be able to start reviewing Whit's Flop in the near future...anyways, today's review has a different format. Since Matthew's adventure is not in Odyssey (well, it is, but you know...), The Odyssey Times is replaced today by the Avery Watch, where I discuss performances that I feel deserve nominations!

NOTABLE LINES OF DIALOGUE:
"God is doing what he always does. He's working through fallen men and women to accomplish his purposes. It's been that way from the beginning." - Stephen

REVIEW:

At the beginning of the relaunch, I expected Odyssey to be amazing as usual and have the same standard of quality and entertainment that it usually has. So when Album 51 came out, I was left feeling disappointed. And so I set my sights on Album 52: there's a mystery with a clock tower, plus there's a Christmas show...what could go wrong? And although there were improvements, I was still left feeling disappointed. Next, I looked to Album 53: there's another conspiracy in Odyssey; this could be the new Novacom! Once again, disappointed. I learned to lower my expectations and acknowledge that Odyssey was going into a newer, younger direction, one that I might not necessarily like, but needed to accept. And yet, Album 54 built on Album 53 with more compelling stories, and Album 55 built from Album 54 with even better performances and stories and lessons. So how did I feel when I heard the first two-parter of 56?

Wow. Just, wow. Where to begin? I enjoyed seeing the new Imagination Station in action again (and we heard it today in Great Expectations, the ep that follows this one) and understood why it was created. The new "door" idea creates potential for many new story ideas for future episodes, and the story device works very well for today's ep. Matthew is a great choice to be in this adventure; he, Barrett, and Olivia are the most thoughtful kids in Odyssey in different ways. 

Now, I love hearing Bible stories come to life on Odyssey, from The Imagination Station (Album 5: Daring Deeds, Sinister Schemes) to O.T. Action News. But normally, I already know how the story's gonna end, and it's just nice to hear the Odyssey team tell it. The Perfect Church pulls something off masterfully: it manages to take scripture (Acts 1:8 - 8:3) and create a narrative that tells the story and yet makes you wonder how McCusker/Younger (the writers of the episode) are going to tell it. 

The performances that made up the story were top-notch. Andre Stojka does his best performance as Whit to date (and continues to be more Whit every album) and Eugene's computerized bits of information were helpful and helped drive the episode forward for more fresh listeners. It was great hearing Carolyn Hennesy again (voice of Ellen Shepard), and she makes a terrific Saphira in her scene (and we already know she's great at doing those kind of voices as she did in The Big Deal [Album 35: The Big Picture]). Georgia Dolenz has a stronger appearance here than in The Labyrinth, and plays wide-eyed and thoughtful well.  The episode is packed with a who's who of AIO character actors, from Keith Ferguson, Matt Hurwitz, Fred Tatasciore (who after a 16 episode run of playing villainous characters has made a 3 ep run of heroes following A Penny Saved), J.B. Blanc, and Saige Spinney. All we needed was Corey Burton (who by the way, needs to return to Odyssey, but that's another article)! 

John Campbell's score for this episode was amazing. It felt true to the time period, yet slightly melancholic, which captured the essence of the episode completely. Sound design was terrific at recreating the world of Acts and making the "door" switches seamless and sleek. The dialogue was fantastic and moved the story along, while McCusker/Younger kept the story engaging the whole way through.

However, the most powerful scene was when Jim Cummings as Stephen testified to the high court with his defense. The fact that it was taken literally from the Bible, along with Cumming's commanding performance, made me begin to tear up. Now, I don't cry very often at media, unless some element of the form moves me (See: Clara). His acting is powerful, intense, and speaks to us today. In fact, the whole episode speaks to us today. The  church today is not perfect as well. The episode shows us how God uses all of us with our flaws for his purpose. We have our flaws, and we have our disagreements, and yet, God still calls us to fellowship, worship, and preach together. This can be hard, as I know well, but it's an important lesson for us to learn today. The whole episode feels very human, as often we think of the people of the Bible as superheroes, but God uses all kinds of people for his plan, from prostitutes to corrupt tax collectors to murderers (Saul!). 

Paul McCusker and Marshal Younger have crafted an episode that deserves to be up there with the best of the best in Odyssey. The story is engaging, well-told, fresh, moving, and relevant; with powerful performances, dialogue, and sound. The theme is beautiful, with wonderful harmonies, and a score that captures the episode completely. I give this episode a 97/100, or an

A

AVERY WATCH:
Best Episode - Paul McCusker (Producer: Dave Arnold, Co-Writer: Marshal Younger))
Best Sound Design - GAP Digital (Todd Busteed)
Best Line of Dialogue - "To suffer for Jesus is a honor. But what if something worse happens? That would be glory." - Stephen and Matthew
Best Scene - Stephen testifying in court
Best Script - Paul McCusker, Marshal Younger
Best Actor - Jim Cummings
Best Minor Character (Guest Actress) - Carolyn Hennesy (Saphira)
Best Score - John Campbell