726: Push the Red Button

Happy Sonday!

The goal failed. Couldn't do a review during the week. I'm hoping to make my way through Your Servant is Listening and No Chemistry Whatsoever this week. Happy Labor Day! No new Candid KOnversations updates, so we'll be on our way.

Hi, Will Ryan!

THE ODYSSEY TIMES (Facts, notes, and quotes about Odyssey from this ep):
- A master program that controls anything at Whit's End - that could possibly destroy civilization as we know it? Oh yeah, nothing could go wrong.
- Matthew Parker assisting a master program that controls everything at Whit's End? It's officially official - nothing, nothing, could go wrong.
- Penny is on a no-carb diet in this world.
- We have a different voice for Michaelangelo here than in the live show.
- Is it just me, or does Townsend Coleman's voice for Lord Gargantuan Foulspleen remind the listener a little bit of Dr. Doofenschmirtz from Phineas and Ferb?
- Silly Lord Gangantuan Foulspleen. If you listened to Odyssey, you'd know that the Imagination Station is not a time machine.
- Eugene and Whit, do you really NOT REMEMBER that the Imagination Station is not a time machine? Matthew, sorry, buddy, you still gotta head to French.
- Nice reference to the Slavs in ancient Russia!
- I wonder what people's rationale for thinking this episode was in total reality was.
- When I saw the extended version of the live show, I thought Odyssey was about to head into a post-apocalyptic Album 57. 
- Penny paints a beautiful masterpiece in minutes. Look out, Picasso.
- "Maximum defilation" - new LGF term
- A big kick to the machine. Ladies and gentlemen, Matthew Parker, technical genius.
- Nuclear bomb go boom.
- "What's weird is to use such an obvious cliche to end a story." - Penny
- Philippians 4:8-9

REVIEW:
I think opinions can soften over time. That was certainly the case for this episode. When I first heard it, I had a severe dislike to this episode (not the live show version) for its cheesiness, unrealisticness, and sheer what-the-heck-is-happening-ness. But after a relisten, a couple elements have grown on me. 

After getting upset over the use of the "just kidding, guys, it was all a dream," on earlier listens, I caught Penny's self-aware tongue-in-cheek comment to the audience (see the Odyssey Times for this ep). I just wish the rest of this episode had that making-fun-of-itself tone as it did during the live show. The live show wasn't a masterclass in writing, but the extended run time allowed us to see just how impressive the acting, impressions, and sound design could be. Running jokes, like Wooton/Penny interaction and "fourth wall" Jason cracks, made the experience a memorable, hilarious one. The fact that Push the Red Button radio edition takes itself a little more seriously is not necessarily a good thing.

Another difference between the live show and radio edit is that Michaelangelo is not as intriguing as Chuck Bolte. Sure, he's a better-trained Italian accent, but...yawn. He was a completely forgettable character here, while he was completely unforgettable in Texas because everyone's always wanted to hear an Italian George Barclay. Stunt casting worked there - and the regular casting here felt dry. 

I now can understand why Red Button got that Sound Design Avery - all very impressive work by Rob Jorgensen. The music is ridiculously overdramatic fun by John Campbell. I think the main reason why I disliked this episode is because of the writing. As Ben Warren discussed in his review, other examples of exaggeration in Odyssey had proper framing to explain the out-there-ness of it all. My hyperactive imagination, upon seeing the live show for the first time, worried that a nuclear bomb had actually detonated the entire town of Odyssey and the surrounding Campbell County and we'd spend Album 57 living Winter's Bone - Our Daily Bread style, with the Barclays scrounging for squirrel meat in parks to escape from the mass hysteria from the first nuclear explosion in the United States.

I guess I'm simply tired of ridiculousness. It's fun every once in a while, but to trot it out a lot more recently in this new era takes away the positive elements it can bring. Mindless chaos can be fun, but can't entertainment with truth, goodness, and beauty be fun and good for you? The extremity of the ep led to a story that didn't get too invested in its themes. What really is truth, goodness, and beauty? For that, I'd have to turn to other AIO eps.

Push the Red Button is a hyperactive bombastic ear fest with great sound design and score. The actors all seem like they're having a lot of fun. However, it's the writing that drags everything down. The tone's off, the characters are all over the place, the moral is difficult to discern at face value, and the plot is sadly too out there to come back to orbit. I give this episode a 70/100, or a

C-

That brings us to the end of Album 56! Nine months after it aired. And on to A Call to Something More...

FOR MORE INFORMATION:

Catch up on Josh's summer by reading his blog from the past several months here
Read about our Live Show experience here

Buy this episode and 11 others on Album 56: The Grand Design via CBD
Talk about this episode and a bunch of other Odyssey stuff over at Campbell County

The Grand Design Avery Awards: Predictions & Snubs

Hey, hey, hey, happy Oscar season, y'all! And in the heat of the award season, the night before the Golden Globes, lies my predictions and sad reflections on the snubs for the 6th Biannual Avery Awards, recorded live from Colorado Springs, CO! Unfortunately, this is finals week, however, our new release date for the pilot is Tuesday, January 22. Stay tuned! Oh, and our Happy Hunting review will follow later in the week. As many, many prognosticators try to figure out the Oscar race, I take on the work carried out so wonderfully by Ben Warren four albums ago for Album 52. I was inspired by all the Oscar guessing game sites but looked back at Ben's to see what I could learn from him as well. By the way, if you haven't checked out his always professional, always entertaining, always thought-provoking blog, The Changing Times, check it out as soon as you're done with this post. And now...zee categories...

Best Actress
Chris Anthony as Lady Deluxe Haversham in "Push the Red Button"
Georgia Dolenz as Rhoda in "The Perfect Church"
Katie Leigh as Connie in "Home Again"
Christina Pucelli as Emily Jones in "Great Expectations"
Kimmy Robertson as Penny Wise in "Happy Hunting"

Should/Will Win: When looking at the nominees in this category, I connected Katie Leigh and Christina Pucelli's performances very closely. They both portrayed female characters unsure about their future; Emily about their future career and Connie about Jason's future and her future connections with Whit and Eugene. Emily continues to deepen and develop as a character, but I feel like the emotional weight continues to fall behind Katie Leigh, who has had 25 years to develop Connie. Similarly to the Oscars, it's often difficult to compare dramatic and comedic performances (unlike the Golden Globes), but we are forced to through Chris (who has a delightfully over the top performance) and Kimmy (Penny's mishaps). While I really enjoyed Perfect Church, I thought Georgia Dolenz's performance as Rhoda was good, but not great unlike some of the other nominees. Lady DH was a little too over-the-top for me and Penny is still lacking mature emotional growth, so my Should Win/Will Win falls to Katie Leigh for Connie! Again.

Snubbed: Carolyn Hennesy stole every scene she was in in "Perfect Church" taking on the role of Saphira after  similar biblical roles and Mama Shepard in her past AIO career. Disappointed, but definitely not surprised.

Best Sound Design
All episodes nominated

Should/Will Win: Josh is undergoing relistens to Album 56, so hold your horses. However, he really enjoyed sound design for "Perfect Church," done by GAP Digital. 

Snubbed: Uh, that invisible episode on Disc 5 definitely should've gotten nominated. 

Best Actor
Zach Callison as Matthew Parker in "The Perfect Church"
Jim Custer as Young Whit in "Great Expectations"
Townsend Coleman as Lord Gargantuan Foulspleen in "Push the Red Button"
Dan Hagen as Drill Sergeant Combs in "The Bible Network"
Whit Hertford as Jay Smouse in "Groundhog Jay"

Should/Will Win: The nicest surprise in this category is that Dan Hagen was recognized for all of his great work in "The Bible Network." He played multiple roles, but the drill sergeant was the funniest and had tons of memorable lines. Looking back, there were a lot of great male performances this year. Jay continues to be a fantastic antihero that reflects many moral struggles people go through. Matthew articulated our thoughts and feelings in The IS. And Jim Custer plasters in a very warm quality to his portrayal of Whit, and his ability to sound older as Whit did was incredible. Jim Custer has my vote for "Should Win," (Dan Hagen, don't worry, you're right behind) but I'm predicting that Whit Hertford will take home his second Avery in two years, due in large part to Jay's popularity, and I'm fine with that as well.

Snubbed: JIM CUMMINGS. Come on, his Stephen was one of the best Biblical reenactments I have ever seen. The retelling and the acting were top-notch, and I'm incredibly disappointed he did not get a nod. Can he get a honorary Avery for being Jim Cummings? Heck, why we're at it, let's give Phil Lollar a honorary Avery for "Best Being Back on Odyssey Moment." I would've also liked to see Townsend nominated for "Home Again," but a nod is a nod is a nod. Or something like that.

Best Script
All episodes nominated

Should/Will Win: If you've been reading this blog, you already know that my Should Win is..."The Perfect Church." As I said in my review, "'The Perfect Church' pulls something off masterfully; it manages to take Scripture (Acts 1:8-8:3) and create a narrative that tells the story and yet makes you wonder how McCusker/Younger are going to tell it." Sadly, I don't believe that enough voters will take notice and the award will probably fall to "Home Again" because Jason and Joanne showed up or "Groundhog Jay" because Jay was in it and had funny things to say. However, I must admit that if "Perfect Church" wasn't in the album, my vote would've gone to "Jay."

Best Scene
Barrett finally realizes the consequences of not tithing in "For Three Dollars More"
Bible Boot Camp in "The Bible Network"
Dale Jacobs learns the whole story from Kenny Rutherford in "The Lost Riddle"
Connie, Wooton, and Penny reunite with Jason in "Home Again"
Lord Gargantuan Foulspleen destroys the Sistine Chapel in "Push the Red Button" 

Should/Will Win: Of these particular scenes nominated, the only scene that stuck out to me was Bible Boot Camp. It was the funniest, but also had the best lesson. Jacobs/Rutherford sounded familiar (Buried Sin, Album 32: Hidden Treasures), the reunion scene wasn't as impactful since we'd already heard a lot of Jason and it didn't happen till the middle of Part 2, and I sadly don't remember the Barrett/LGF scenes. I'm thinking voters will feel the same way as me, but don't count out the Jason Reunion scene; pure Jason nostalgia could carry that scene to a victory. 

Snubbed: I'm getting tired of repeating my praise for "The Perfect Church," so here's an excerpt from my review: "The most powerful scene was when Jim Cummings as Stehen testified to the high court with his defense. The fact that it was taken literally from the Bible, along with Cumming's commanding performance, made me begin to tear up. Now, I don't cry very often at media, unless some element of the form moves me (See: Clara). His acting is powerful, intense, and speaks to us today."

Best Overall Episode
All episodes nominated

Should/Will Win: And once again, another excerpt: "['The Perfect Church'] speaks to us today. The church today is not perfect as well. The episode shows us how God uses all of us with our flaws for his purpose. We have our flaws, and we have our disagreements, and yet, God still calls us to fellowship, worship, and preach together. This can be hard, as I know well, but it's an important lesson for us to learn today. The whole episode feels very human, as often we think of the people of the Bible as superheroes, but God uses all kinds of people for His plan, from prostitutes to corrupt tax collectors to murderers (Saul!). The theme is beautiful, with wonderful harmonies, and a score that captures the episode completely. Paul McCusker and Marshal Younger have crafted an episode that deserves to be up there with the best of the best in Odyssey. The story is engaging, well-told, fresh, moving, and relevant; with powerful performances, dialogue, and sound." My Will Win falls to "Home Again," though "Groundhog Jay" could always be the dark horse in this race.

Let me know what you guys thought of this season's performances! More Candid KOnversations, Album 56 reviews, and Album 57 discussion to follow in the weeks and months ahead. 

LINKS:
Read all of our Album 56 reviews
Buy Album 56 on CBD
Vote for The Grand Design Avery Awards at the Whit's End Blog